Education | ||
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May 2000 | MFA, Literary Arts, Brown University | |
May 1998 | BA, Languages & Literature, Bard College |
Work | ||
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Fall 2014 – present | Associate Professor, Art & Technology Studies, School of the Art Institute of Chicago (SAIC) | |
Fall 2012 – present | Cofounder, Writer & Technologist, Anatomical Theatres of Mixed Reality (ATOM-r), performance collective | |
January – March 2016 | Guest Faculty, Breathing Matters: Poetics & Politics of Air, University of Chicago | |
August 2013 – June 2014 | Fulbright Scholar & Visiting Professor, University of Bergen, Norway | |
Fall 2002 – Spring 2013 | Adjunct Associate Professor, Art & Technology Studies & Writing, School of the Art Institute of Chicago | |
Fall 2010 | Adjunct faculty in English, New Media Writing, Lake Forest College |
Performances, Exhibitions & Lectures |
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November 3 | Liner Notes for Undressing Cover Songs: The Zone of Pure Doubt, performance for Co-Prosperity Sphere, Hosted by Public Media Institute and The New River: A Journal of Digital Art & Literature, Chicago |
July | The zone of Pure Doubt, performance Electronic Literature Festival, online |
April 1-15 | Fathomer, exhibition and activation for Winterage: Sweetland, West Shore Community College, Michigan |
March 23 | Piano, Alone in a Room Livestream, Experimental Sound Studio, Chicago |
March 16 | poetry reading, Printers Row wine Bar, Chicago |
November 3 | Liner Notes for Undressing Cover Songs: The Zone of Pure Doubt, performance for Co-Prosperity Sphere, Hosted by Public Media Institute and The New River: A Journal of Digital Art & Literature, Chicago |
April 6 | The zone of Pure Doubt, performance Center for biographical Research, Honolulu, Hawai'i |
February 24 | Blue Seam, performance with Lisa Samuels & Jamiana Moraes The Performance Arcade, Wellington, New Zealand |
February 22 | The Zone of Pure Doubt, performance for The Performance Arcade, Wellington, New Zealand |
February 14 | I love the dead (The Followspot), performance, Gallery 400, Chicago |
October 14 | Winterage: Last Milk, screening for Festival of the Moving Image, credit: Writer, Dolby Screening Room, NYC |
May 31 | Archange of History (Liner Notes for The Tenders), performance for Electronic Literature Organization Media Arts Festival, Lake Como, Italy |
November 4 - 6 | The Tenders: Liner Notes for Undressing Cover Songs, performance for Practice Practice, University of Hildesheim, Germany, online |
October 16 | The Tenders: Liner Notes for Undressing Cover Songs, performance, Chicago Cultural Center, Chicago |
October 1 | The Tenders: Nocturne in Black and Gold, performance video, Kiblix: Virtual worlds Now / International Group Exhibition, Maribor, Slovenia |
August 7 | How do we trouble time?, augmented reality installation, Start a Reaction @ Nuclear Energy Sculpture Plaza, Hyde Park, Chicago |
June 10 | Nocturne in Black and Gold (The Tenders iteration #5), virtual performance, Queering the City: A Transatlantic Perspective, Colloque, Paris, France, Online |
May | The Jew's Daughter online narrative, Afterflash: ELO 2021 Media Arts Show, The Next, Online |
May 28 | Nocturne in Black and Gold (The Tenders iteration #5),featured keynote performance, ELO 2021: Platform [Post?] Pandemic, Aarhus, Denmark, Online |
April 9 | Nocturne in Black and Gold (The Tenders iteration #5), virtual performance, KIBLIX 2021: Virtual Worlds Now, Maribor, Slovenia, Online |
March 5 | ANAHX Panel: Judd Morrissey, Mark Jeffery, and Tricia Van Eck, panel presentation, ANAHX Series, SAIC, Chicago, Online |
December 8 | Digital Intimacy in Virtual Worlds Now, streaming panel presentation, Kiblix 2021: Virtual Worlds Now, Maribor, Slovenia, Online |
December 3 | The Tenders: An Original Mixed Reality Cover Song, virtual performance, Nexus#1: IN/ACTION, Royal Conservatoire of Scotland, Glasgow, UK, Online |
December 2 | The Tenders: Domesticating Mediated Performance, panel presentation, Nexus#1: IN/ACTION, Live Art in a Pandemic: Sites, Screens and Sanitiser, Royal Conservatoire of Scotland, Glasgow, UK, Online |
September 9 - 13 | The Tenders, virtual performance video,[Dis]Position: Art & Technology Studies at the School of the Art Institute of Chicago (US), Ars Electronica Festival 2020, Linz, Austria, Online |
July 16 | Tender Embrasures in the Fort's Collapse virtual performance, Electronic Literature Organization Media Arts Festival, Online |
June 30 | The Tenders: A Last Dance virtual performance, CONNECTIONS: EXPLORING HERITAGE, ARCHITECTURE, CITIES, ART, MEDIA, University of Kent, Canterbury, Online |
April 30 | The Tenders: A Last Dance, virtual performance, Our Bodies in Language, Online |
February 14 | The Tenders: A Last Dance, mixed reality performance, Inside Practice: Every house has a door and ATOM-r, Fullerton Hall, Art Institute of Chicago |
January 19-20 | The Tenders: A Last Dance, ATOM-r performance, Beauborg Theatre, New Orleans, LA |
January 11 | ATOM-r Open Studio, event, Aquarium Gallery, New Orleans |
November 27 | Rhinestone Cowboy, ATOM-r performance, Spark, York, UK |
November 21 | Visiting Writers Series: Jen Scappettone & Judd Morrissey, performance and talk, University of Northern Michigan |
November 19 | Foramen, mixed reality performance, THE BODY IN LANGUAGE: AN ANTHOLOGY EVENT – JAAP BLONK, DANIEL BORZUTZKY, JENNIFER KARMIN, JUDD MORRISSEY + JENNIFER SCAPPETTONE , Tritriangle, Chicago |
November 8 | ATOM-r in Cosmic to Corporeal, in-gallery discussion with Liss LaFleur, The MAC, Dallas |
November 3 | The Tenders: A Last Dance, ATOM-r talk/reading, McCormick Bridgehouse and Chicago River Museum, Chicago |
September 21 - November 9 | KJELL ØR THEY, ATOM-r film & costume archive, Cosmic to Corporeal: Contemporary Queer Performance Practices, The MAC, Dallas |
April 6 | Lament; Or, The Mine has been Opened Up Well , performance and installation, Counterpath, Boulder, Colorado |
March 30 - June 23 | The Last Performance Goat Island Archive: We have discovered the performance by making it, Chicago Cultural Center |
March 9 | Rhinestone Cowboy, ATOM-r performance, Kenneth Myers Centre, Aukland, NZ |
March 1-3 | Rhinestone Cowboy: A dazzle augmented reality performance with a choir and cows, ATOM-r public performances, The Performance Arcade, Wellington, NZ |
February 8-9 | Inside My Gorge, mixed reality performance, Interrupt V Festival, Brown University, Providence, RI |
January 8 | BEAUTIFUL HOLY JEWEL HOME OF THE ORIGINAL RHINESTONE COWBOY, ATOM-r performance, The Hideout, Chicago |
January 4 | Inside My Gorge, performance, Natural Language @ MLA 2019, School of the Art Institute of Chicago |
October 6 | Inside My Gorge, mixed reality performance, &NOW 2018 Festival, Notre Dame, Indiana |
September 18 | Rhinestone Cowboy, ATOM-r equinox performance, The 606, Chicago |
September 5 - december 7 | LAMENT; Or, The Mine has been Opened Up Well, Digital Trash, group exhibition, Rutgers Camden Digital Studies Center |
August 25 | Featured International Performance, Runokuu Festival, Väinö Kallio, Helsinki, Finland |
August 25 | Experimentality in Literature: roots, causes, effects & benefits, rountable discussion, Runokuu Festival, Kansallisteatterin Lavaklubi, Helsinki, Finland |
August 24 | Place Taking Place: Poetics of Embodied Mixed Reality, lecture, Runokuu Festival, American Resource Center, Helsinki, Finland |
August 23 | performance & dialogue, Runokuu Festival, Kallio Upper Secondary School, Helsinki, Finland |
August 21 | Foramen, performance, Runokuu Festival, US Embassy, Helsinki, Finland |
August 16 | Inside My Gorge, ELO 2018: Mind the Gap, Concordia University, Montreal |
June 10 | Formamen, performance, Oh!klahomo, Chicago |
March 23 | Kjell, Or They, ATOM-r film screening, Moving_Image_00:03, Lithium Gallery, Chicago |
March 16, 17 | Kjell Theøry, invited ATOM-r performance, Light Box, Detroit |
March 1 | Poetry & Art: Nathanaël, Morrissey & Scappettone Poetry Foundation, Chicago |
February 24 | BEAUTIFUL HOLY JEWEL HOME OF THE ORIGINAL RHINESTONE COWBOY, invited ATOM-r performance, Myymälä2, Helsinki |
February 22 | Inside My Gorge: The Original Rhinestone Cowboy, invited ATOM-r lecture for University of the Arts Helsinki |
January 19 | Digital forensic: performing genderfluid spectacles invited ATOM-r performance for Centre for Digital Storymaking, Victoria and Albert Museum, London |
January 13 | BEAUTIFUL HOLY JEWEL HOME OF THE ORIGINAL RHINESTONE COWBOY, invited ATOM-r performance, Marlborough Theatre, Brighton (UK) |
January 11-12 | Kjell Theøry, invited ATOM-r performance, Chisenhale Dance Space, London |
December 8, 9 | Kjell Theøry, invited ATOM-r performance for Trade Routes: A Festival of Artistic Exchange, Links Hall, Chicago |
November 7, 8 | Kjell Theøry, invited ATOM-r performance, Venuše ve Švehlovce, Prague |
November 3, 4 | Kjell Theøry, invited ATOM-r performance in conjunction with being featured artists for the Queering Ritual symposium, Performing House, York, UK |
October 20 | Kjell Theøry, Elevate Chicago Dance festival, The Dance Center of Columbia College |
September 30 | Savageness, or There are Veins Embraced in the Property invited collaborative performance (with Jennifer Scappettone & Abraham Avnisan) for 6018North in partnership with the Chicago Architecture Biennial |
July 20 | LAMENT (The mine has been opened up well), Electronic Literature Organization Festival, Mosteiro de São Bento, Porto, Portugal |
July 12-14 | Veins of Place, invited lecture-performance, Poetics and Politics of Virtual Reality, Workshop, University of Bergen, Norway |
June 12-25 | invited ATOM-r film, Kjell ør They, in group show, All of the Above, Elephant Room Gallery, Chicago |
June 3 | invited screening, Rapid Pulse International Performance Art Festival, Defibrillator Gallery, Chicago |
May 19 | LAMENT (The mine has been opened up well), invited Mixed Reality Performance w/Jennifer Scapettone and Abraham Avnisan, Ordinary Media Symposium, Northwestern University, Chicago |
April 22 | Virtual Reality and Augmented Reality in Performance, invited panelist, Chicago Cultural Center |
March 10-19 | Kjell Theory: A Prologue in 4 Turns, The Performance Arcade, ATOM-r installation and daily performance cycle, Wellington, New Zealand |
March 11-15 | Place Taking Place, invited keynote lecture & seminar, Performing, Writing. Hosted by College of Creative Arts, Massey University in partnership with The Playground, Wellington, New Zealand |
February 18 | Their violet hour was cobalt blue, Loveytown: a sudden and peculiar pleasure, a feeling of protection, invited group exhibition, Mana Contemporary, Chicago |
January 20 - April 9 | Kjell Theøry: Prologue, invited ATOM-r exhibition, International Museum of Surgical Science, Chicago |
January 20 - February 4 | Kjell Theøry, invited ATOM-r performances, Graham Foundation for Advanced Studies in the Fine Arts, Chicago |
November 21-23 | Glitchy Textures: International Symposium, invited keynote lecture / performance, École nationale supérieure des Arts Décoratifs, Archives nationales & Université Paris 8., Paris |
October 1 | Kjell Theory, invited ATOM-r performance, Light Box, Detroit |
June 10-12 | Kjell Theory, performance, Electronic Literature Organization Media Arts Show 2016, Vancouver, BC |
June 4 | Performing Queer Thresholds: Invisibility, Virtuality & Ritual, ATOM-r invited lecture & performance, The Spire, Brighton, UK |
May 19 | Artist's Talk: ATOM-r, University of the Arts, Helsinki (invited) |
May 17 | Performing Queer Thresholds: Invisibility, Virtuality & Ritual, ATOM-r invited lecture & performance, Madhouse, Helsinki |
April 21 | Wordhack XXII, invited performance, Babycastles, NYC |
April 2 | Kjell Theory, ATOM-r invited performance, Grace Exhibition Space, NYC |
April 1 | Kjell Theory, ATOM-r invited performance, Linda Montano Art/Life Institute, NY |
February 28 | The Data that We Breathe, salon, 6018 North, In-Time Performance Festival, Chicago (invited) |
January 28 | Towards a Collaborative Poetics of Breath, lecture, Gray Center for Arts & Inquiry, University of Chicago |
January 27 | ATOM-r Soft Machines, residency launch & exhibition, International Museum of Surgical Science, Chicago (invited) |
November 14 | 7 Minute Prologue, ATOM-r invited performance, Catch Series, Storefront Theater, Chicago |
October 26 | Kjell Theøry, ATOM-r invited performance, Arts/West, Athens, Ohio |
October 24 | Kjell Theøry, ATOM-r invited performance, Mint Gallery, Columbus, Ohio |
October 1 | ATOM-r Within House, invited performance, Chicago Architecture Biennial |
September 5 | The Operature, video, TRANS[ACTO] TRANSDISCIPLINARY & ANTI-ARTISTIC GLOBAL PROJECT, Boa Vista, Portugal (invited) |
September 5 | Beyond Biology, invited panelist, Beauty and Brawn Art Gallery and Think Space, Chicago |
August 15 | Kjell Theøry, ATOM-r invited performance, Perform Chinatown Festival, LA |
August 5-8 | Kjell Theøry, daily augmented reality performances at 3 local outdoor sites, in conjunction with ELO 2015: The Ends of Electronic Literature, Bergen, Norway |
June 9-13 | Measure Zero Vestibule, installation with opening performance, E-Poetry Festival, Centro de Arte Contemporáneo, Buenos Aires, Argentina |
June 4 | Kjell Theøry, ATOM-r invited performance, Rapid Pulse International, Defibrillator Gallery, Chicago |
March 14-15 | The Last Performance [dot org], exhibited in Language and The Interface, University of Coimbra, Portugal (invited) |
April 4 | Kjell Ør the Y, ATOM-r performance(s), Re{Happening} 2015, site of the former Black Mountain College, North Carolina |
April 4 | Exit 43, performance with Jennifer Scappettone in Collaboration for the Duration, invited featured event at &NOW Literary Festival: Blast Radius, Mod Theater, CalArts |
March 23 | Queering New Media Panel, invited panelist, Eye + Ear Clinic, Chicago |
January 12 | Operations in Mixed Reality, invited lecture for The Drama and Performance Practice as Research Group at London Southbank University, London, UK |
October 22 - November 14 | The Jew's Daughter, exhibited in, The Future of Reading?, Bank Street Arts, Sheffield, UK (invited) |
August 1 | The Operature, ATOM-r performance & exhibition, Zero1 Garage, San Jose, California |
July 26 | The Empty House, installation, Word Weekend, Museum of Contemporary Art Chicago (invited) |
July 26 | Contemporary Momento Mori, ATOM-r exhibition & opening event, The Body Appropriate , San Francisco (invited) |
June 10 | The Operature, video, Hold the Light: Electronic Literature Organization Media Arts Show, Milwaukee, Wisconsin |
May 23 | Operatus, performance, Casa das Caldeiras, Coimbra, Portugal |
May 23 | Operations in Mixed Reality, lecture, Universidade de Coimbra, Portugal |
May 20 | Operations in Mixed Reality, lecture, Universidade Fernando Pessoa, Porto, Portugal |
May 19 | Operatus, performance, Sonoscopia, Porto, Portugal |
May 10 | The Question of Being Important Inside In One, performance lecture, A Valentine for Gertrude Stein, University of Copenhagen, Denmark |
April 24 | The Operature, ATOM-r performance, The New Romantics, Eyebeam, New York |
March 21-29 | The Operature, ATOM-r performance & exhibition National Museum of Health and Medicine, Chicag |
January 26 - March 2 | Promiscuous Code / Plural Wife Project, ATOM-r exhibition with Angela Ellsworth, Julius Caesar Gallery, Chicago |
November 16 | The Operature, ATOM-r performance, Museum of Contemporary Art, Chicago |
October 21 | The Operature, ATOM-r performance, Anatomy Theatre & Museum |
October 16 | The Operature, ATOM-r performance and exhibition, Performing House, York, UK |
September 26 | Operatus, performance, Chercher Le Texte Festival Le Cube, Paris |
August 19 | Digital Arena Electronic Writing Series, reading, Bergen Public Library, Norway |
April 20-24 | Field Anatomy, ATOM-r performance and installation, Chicago Cultural Center, Chicago |
April 10 | Anatomical Theaters of Mixed Reality, performance, Becoming Nomad: Liquid Architectures and Online Domains, York, UK |
March 23 | Anatomical Theaters of Mixed Reality, performance, Hyde Park Salon, Chicago |
December 21 | Anatomical Theaters of Mixed Reality, ATOM-r performance, Chicago Torture Justice Memorials Exhibition, The Sullivan Galleries, Chicago |
November 10 | Writers on Process, roundtable, Chicago Poetry Center, Chicago |
November 1-4 | The Final Problem, exhibition and performance, Remediating the Social, Edinburgh College of Art & InSpace Gallery, Edinburgh UK |
September 14 | LIT Magazine, digital poetry performance, The New School, New York City |
September 7 | digital poetry performance, Intersections, Interferences, Interdisciplines: Literature and the Other Arts, Logan Center for the Arts, Chicago |
June 6-10 | Purloined Packets,digital poetry performance, &NOW: New Writing in Paris, Université de la Sorbonne, Paris |
May 31 | A Multimedia Reading: Judd Morrissey & Stephanie Strickland, Chicago Review Poetry Series, Chicago |
May 27 | Queertopia!, panelist, On Catherine Pancake’s Kayuga, Northwestern University, Chicago |
April 20-21 | Network as Crime Scene, lecture and performance, Network Archaeology Conference, University of Miami, Ohio |
April 13 | UK/Chicago Festival, ATOM-r performance, The Residence of the British Consulate General, Chicago |
March 1 | LIT 21 Launch & Showcase, print and digital poetry reading, LIT Magazine and Association of Writers and Writing Programs Conference, Chicago |
february 21 | Hacking the Night Sky, artist’s talk, Harper Memorial Library, University of Chicago, Chicago |
february 17-18 | The Precession: An 80 Foot Long Internet Art Performance Poem, exhibition and performance, Arizona State Museum, Arizona |
february 10-12 | IRQ, Interrupt II Studio Brown University, Rhode Island |
January 2 | The Precession: An 80 Foot Long Internet Art Performance Poem, exhibition and performance, Defibrillator Gallery, Chicago |
December 18 | huiswerking, performance, On/Off at Defibrillator Gallery, Chicago |
November 14-16 | The Happiness Project, performance and installation, Chicago Pop-up Loop Alliance , Chicago |
September 9-25 | Huiswerking, Mutualisms Exhibition, Co-Prosperity Sphere, Chicago |
September 14 | The Labours,film screening, The Collection Museum, Lincoln, UK |
May 27-June 21 | The Labours: An Astronomical Dance, large-scale public performance, The Cathedral Quarter, Lincolnshire, UK |
May 18-21 | The Precession & Epoellarium, performance and occasion-specific installation, E-Poetry 2011, SUNY Buffalo, NY |
March 26 | BYOB (Bring Your Own Beamer), installation, Kunsthalle New, Chicago |
March 20 | The Precession: An 80 ft. Long Internet Art Performance Poem, residency closing performance, Hyde Park Art Center, Chicago |
March 4-6 | The Precession: An 80 ft. Long Internet Art Performance Poem, performances, Hyde Park Art Center, Chicago |
January 28-29 | participatory performance for I know you know I know you Know I know Times Square Gallery, Hunter College, NYC |
January 20-March 4 | An Exchange With Sol LeWitt, group exhibition, Cabinet Magazine, NYC |
January 11-26 | The Labors, performance for Without you I'm Nothing: Interventions Museum of Contemporary Art , Chicago |
December 21-March 10 | The Precession: An 80 ft. Long Internet Art Performance Poem, installation, Hyde Park Art Center, Chicago |
September 18 | Trials with an Overhead View, installation and performance, Radical Citizenship: The Tutorials, Southern Exposure, San Francisco, CA |
August 21-22 | Trials with an Overhead View, Radical Citizenship: The Tutorials, Governor's Island, NYC |
July 30 | The Precession , performance for Printer's Ball: print <3 digital, The Ludington Building, Chicago |
July 23 | Literary Data-Panoramas, installation for Printer's Ball: Launch Event, Open Books, Chicago |
June 26 | The Precession, Noise! 2010, Ontological-Hysteric Theater, NYC |
June 3-6 | The Precession & RCAI, performance for ELO_AI - Archive + Innovate, Electronic Literature Organization Conference & Arts Program, Brown University, RI |
June 1-25 | The Living Newspapers, performance for Hide and Seek exhibition (part 2), Museum of Contemporary Art, Chicago |
April 22-25 | The Precession, performance for Post_Moot: a Convocation of Unorthodox Cultural and Poetic Practices, Miami University, Miami, FL |
March 26 | Data Poetics and Performance, lecture, Text and Theatre Symposium, MMU Cheshire, UK |
March 22 | Code, Choreography, Chorus Chicago Dancemakers Forum, Silverspace, Chicago: |
March 13 | Art as Event, talk, Museum of Contemporary Art , Chicago |
February 16 - March 12 | The Living Newspapers, performance for Hide and Seek exhibition (part 1), Museum of Contemporary Art, Chicago |
December 14 | Literary Arts Roundtable, speaker, Digital Arts & Culture, University of California Irvine |
December 14 | The Precession, DAC Literary Arts Extravaganza, University of California Irvine |
December 7-10 | Reading and Artist Talk, University of Colorado at Boulder |
November 14 | Code, Chreod, Catastrophe, performance, Red Rover Series, Chicago |
November 8-10 | The Precession, The Network as a Space and Medium for Collaborative Interdisciplinary Art, Bergen, Norway |
June 26 | Data Poetics and Performance, lecture, Propositions Series, Performance Department, School of the Art Institute of Chicago |
June 24-28 | Fault Tactical Network, performance, Performance Studies International, Zagreb, Croatia |
June 1-25 | The Last Performance [dot org], performance, E-Poetry 2009, Center of Contemporary Culture, Barcelona |
March 22 | Code, Choreography, Chorus Chicago Dancemakers Forum, Silverspace, Chicago: |
March 20 | The Precession, performance, Firehouse 13Providence, RI |
March 15 | Artist talk, Firehouse 13, Providence, RI |
March 14 | The Last Performance, performance, Brown University: Literary Arts Program Reading Series, Providence, RI |
February 14 | The Last Performance, performance, Performance Ventures: Sound, Video, Hypertext, & Poets Theater, Links Hall, Chicago |
January 29-31 | The Jew's Daughter, exhibition, Sonde 01#09: De l'encre au pixel: les materialites de l'ecrit, La Chartreuse de Villeneuve lez Avignon, France |
October 17-19 | The Last Performance: IRQ, performance, Interrupt 2008 Brown University |
September 11-13 | The Last Performance [dot org], performance, Electronic Literature in Europe Landmark Kunsthall, Bergen, Norway |
July 26 | lecture, Goat Island Symposium, School of the Art Institute of Chicago |
June 25 | The Last Performance [dot org] , performance, Eurokaz Festival, Zagreb, Croatia |
June 12 - 21 | The Last Performance [dot org], installationIn Transit 2008, Haus Der Kuluren der Welt, Berlin |
May 29-June 1 | The Last Performance [dot org], performance, Visionary Landscapes: Electronic Literature Organization Media Arts Show, Vancouver, Wa |
April 4 | lecture, Goat Island Roundtable, Gene Siskel Film Center, Chicago |
March 25 - April 7 | The Last Performance [dot org], installation, Museum of Contemporary Art, Chicago |
March 1-2 | The Last Performance [dot org], performance, Nuffield Theatre, UK |
November 30 - December 2 | Books I Write, Books that Write Me, performance, OPENPORT Weekend Links Hall, Chicago |
October 12 - January 1 | Taxonomy of Traces, installation, Fast Forward: the School of the Art Institute of Chicago in the 21st Century, Rockford Art Museum, Rockford, IL |
October 22-24 | The Last Performance [dot org], installation, University of Leeds, UK |
June 25 | The Lasting #2 , installation/performance, Art 44/46: Public Art in Chicago |
February 17 | The Last Performance [dot org], performance (w/ Goat Island), OPENPORT: International Festival of Realtime Performance, Sound, & Language, Links Hall, Chicago |
January 20 | The Last Performance [dot org], reading, SAIC BFAW Program Launch, Gene Siskel Theater |
April 4 | lecture, Goat Island Roundtable, Gene Siskel Film Center, Chicago |
March 25 - April 7 | The Last Performance [dot org], installation, Museum of Contemporary Art, Chicago |
March 1-2 | The Last Performance [dot org], performance, Nuffield Theatre, UK |
November 11 | Circulation Room , performance/installation, Site Unseen Festival Chicago Cultual Center |
August 14 | File Poetry Symposium, Sao Paulo, Brazil |
August 3 | ATHE 2006 (Association for Theater in Higher Education), performance lecture with Goat Island, Chicago |
March 20-24 | The Error Engine, E-fest 2006, Brown University, Providence |
February 4 | The Error Engine , performance, An Incomplete Map of Everything, Links Hall, Chicago |
November 18 | Anteroom, performance/installation, Site Unseen Festival Chicago Cultual Center |
November 10-13 | Generations Panel, Society for Literature, Science, and the Arts 2005 Conference, Chicago |
October 20 | What does Goat Island Propose?, lecture, SAIC Propositions Series, Chicago |
March 20-24 | The Error Engine, E-poetry 2005, Birkbeck College, London |
February 4 | The Mooring of Richard AnyNumber, installation, nottdance 2005 Nottingham, UK |
February 4 | Fibonacci Dogs , Goat Island lecture, PAC/edge Performance Festival Chicago Athanaeum |
February 10 - March 14 | The Mooring of Richard AnyNumber, installation, Taxi Gallery Cambridge, UK |
January 27 - March 6 | from The Error Engine, installation, Fine Arts Gallery University of Rhode Island, Kingston, RI |
September 24 - October 3 | from The Error Engine, installation, Gallery 1926, Chicago |
July 20-30 | My Name is Captain, Captain, performances, Cerisy 2004, Le Centre Culturel International, Cerisy-la-Salle, France |
June 10-13 | from The Error Engine, performance/lecture, Computers and Writing 2004 Conference, University of Hawai’i at Manoa, Honolulu |
May 15 | The Error Engine, 3030 Discrete Reading Series, Chicago, IL |
February 4 | In a Cloak of Shame He Will Carry Six Bodies Inside of Me, live installation, National Review of Live Art, Glasgow, UK |
October 23-26 | Narrative Time & Machine Writing, panel, Society for Literature and Science 2003: Rethinking Time Across Literature, Science and the Arts, Austin, Tx |
June 21 | wednesday 11th june I remember how much I wanted to play the piano, performance, Church Hall, Aberystwyth, Wales |
April 26 - May 18 | The Jew's Daughter , exhibited in The Book Reconsidered, Mobius Space, Boston |
May 15 | My Name Is Captain, Captain., performance E-Poetry 2003, University of West Virginia |
November 8-9 | My Name Is Captain, Captain performance, Language & Encoding Symposium, Hallwalls Contemporary Art Center, Buffalo |
October 18 | My Name Is Captain, Captain, performance, Dark Nights: A Hypertext Performance Event, Gallery 1926, Chicago |
June 8 - September 1 | The Jew's Daughter, exhibited in Web Racket, Decordova Museum & Sculpture Park, Lincoln, MA |
April 6-9 | My Name Is Captain, Captain., performance, Electronic Literature Organization: State of the Art Symposium, University of California at Los Angeles |
March 6-9 | New Media Fusion for Poets and Artists: Poems That Go, panelist, Associated Writing Programs Conference, New Orleans, LA |
August 13-25 | The Jew's Daughter exhibited in FILE 2001: International Festival of Electronic Language, Sao Paulo, Brazil |
April 25 | presentation at Digital Arts and Culture, Brown University, Providence |
December 1-30 | The Jew's Daughter, exhibited in Digital 2000, Silicon Gallery, Philadelphia, PA |
November 12 | The Jew's Daughter, reading at Enarrative 1: Hypertext.Narrative.Image.Flash Boston, MA |
September 18 – November 26 | The Jew's Daughter, exhibited in Digital 2000, Technology Gallery, New York Hall of Science, NYC |
June 28 – July 14 | The Jew's Daughter, exhibited in Digital 2000, Central Fine Arts Gallery, Soho, NYC |
June 28 – July 14 | My Name is Captain, Captain. exhibited in p0es1s, International Exhibition of Digital Poetry, Munich and Kassal, Germany |
Publications | ||
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Magazine (online) | Liner Notes, featured electronic writing work for The Digital Review (September, 2022) | |
Anthology (online) | Kjell Theory, The Electronic Literature Organization Collection, Vol.4 (forthcoming, 2022) | |
Book Chapter | The Tenders: Cover to Cover - Liner Notes, w/ Mark Jeffery and Abraham Avnisan, in Performance in a Pandemic. / Laura Bissell (Editor); Lucy Weir (Editor), Routledge, 2022. | |
Book Chapter | Place Taking Place: Temporary Poetic Theaters, in Electronic Literature as Digital Humanities: Contexts, Forms & Practices. / Grigar Dene (Editor); James O’sullivan (Editor), Bloomsbury Press, 2021. Invited contribution. | |
Essay in Magazine | Tender Operations: A Collaborative Poetics, w/ Mark Jeffery and Abraham Avnisan, in Lumpen Magazine, Winter 2020 | |
Book Chapter | Kjell Theory: Prologue to an Anatomical Theatre of Mixed Surrealitys, in The body in Language: An Anthology. / Edwin Torres (Editor), Counterpath Press, 2019 | |
Book Chapter | Machines in Queer Gardens: Performance as Mixed Surreality, in Experiencing Liveness in Contemporary Performance: interdisciplinary Perspectives. / Lindelof, Anja Mølle (Editor); Reason, Matthew (Editor). Routledge, 2016. (Routledge Advances in Theatre & Performance Studies). Invited contribution. | |
Essay in Journal | Operations in Mixed Reality, in Hybridities: The Intersections between Performance, Science and the Digital, edition of International Journal of Performance Arts and Digital Media, Editors: Nedelkopoulou, Eirini and Oliver, Mary (2014). Invited contribution. | Performance Documentation | The Operature, Contempory Performance Almanac (links to pdf), NY, 2014 |
Artists' Book | The Operature, (60-page augmented reality book), special edition: Pinups Magazine, NY, 2013 | |
Visual Poem | The Last Performance (generated outputs), LIT Magazine #22: The Journal of the New School Master of Fine Arts in Creative Writing (September 2012) | |
Anthology (online) | The Last Performance [dot org], The Electronic Literature Organization Collection, Vol.2 (2012) | |
Performance Documentation | The Precession, Emergency Index #2, Ugly Duckling Presse, (Fall 2012) | |
Artists' Pages | Fault Tactical Network, Judd Morrissey & Mark Jeffery, Frackcija #50: Misperformance (2009) | |
Anthology (online & cd) | The Jew's Daughter, The Electronic Literature Organization Collection, Vol.1 (2006) | Artists' Pages | The Mooring of Richard Anynumber, Judd Morrissey & Mark Jeffery, Frackcija #39-40: On Labor (2006) |
Artist's Pages | from The Error Engine, Performance Research vol.9, no.2: On The Page (2004) | |
Artists' Pages | Goat Island: School, Church, Gym, Frackcija #32-35: A companion to Goat Island's "When will the september roses bloom? Last night was only a comedy" (2004) | |
Hypermedia CD | My Name is Captain, Captain. Eastgate Systems (2002) |
Grants, Commissions & Awards | ||
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August 2017 | Trust for Mutual Understanding Cultural Grant (to support a three-part exchange between Every house has a door, Chicago-based performance and technology collective ATOM-r, and Prague’s Handa Gote Theatre) | |
April 2017, 2014, 2012, 2006, & 2004 | Faculty Enrichment Grant, the School of the Art Institute of Chicago | |
February 2017 | Links Hall Midwest Nexus Touring Award (ATOM-r) | |
January 2016 | Andrew Mellon Collaborative Fellowship for Arts Practice & Scholarship | |
May 2014 | Inter-European Travel Grant, Portugal Fulbright Commission | |
October 2013 | Inter-European Travel Grant, UK Fulbright Commission | |
October 2013 | Creative Futures Initiative Grant, King's College, London | |
September 2013 | Fulbright Travel Grant, Norwegian Fulbright Commission | |
April 2013 | Fulbright Scholar's Award in Digital Culture | |
July 2011 | ELMCIP (Electronic Literature as a Model of Creativity and Innovation in Practice) Commission for The Final Problem | |
September 2010 | Nightjar Commission for The Labours funded by Igniting Ambition Commission Grant, Legacy Trust UK / European Regional Development Fund & Arts Council England | |
May 2010 | Illinois Arts Council, Individual Artist Support Initiative Grant | |
April 2009 | Illinois Arts Council Governor's International Exchange Program Grant | |
May 2008 | Juror's Bursory Award, Visionary Landscapes: Electronic Literature Organization Media Arts Show | |
January 2007 | Creative Capital / Andy Warhol Foundation Arts Writing Grant | |
April 2006 | Chicago Artist’s Assistance Program (CAAP) Grant in Multi-Arts category | |
January 2005 | Illinois Arts Council Fellowship in Interdisciplnary/Computer Arts | |
June 2000 | ASCI (Art + Science Collaborations, NYC), Digital 2000 Award, Net.art |
Workshops & Residencies | ||
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April 1 - May 17, 2023 | Residency at Center for Biographical Research / East-West Center, University of Hawai'i at Manoa, Honolulu | |
February 20 - March 12, 2023 | Residency at Michael King Writers Centre, Aukland, New Zealand | |
January 3 - January 21, 2023 | Residency at Catwalk Artists Residency, Catskill, NY | |
June 2021 (2019 - ongoing) | Invited In-person ATOM-r residency, Living within the Play Poor Farm, Little Wolf, Wisconsin | |
January 2020 - December 2021 | Invited ATOM-r residency, Buddy Research and Performance Residency, Season 1 - Re:place, Co-prosperity Sphere and Chicago Cultural Center | |
January 6 - 20, 2020 | Invited ATOM-r residency at Beauborg Theatre, New Orleans | |
March 8, 2019 | Invited ATOM-r performance writing workshop, University of Auckland, NZ | |
November 21 - 27, 2019 | Invited ATOM-r residency and workshop for York St John University students, Performing House @ Spark, York, UK | |
October 2 - November 3, 2019 | Invited ATOM-r residency at McCormick Bridgehouse and Chicago River Museum, Chicago | |
January 20-24, 2018 | Invited 4-day artist's workshop for University of the Arts Helsinki | |
January 18-19, 2018 | Invited 2-day artist's workshop for launch of Centre for Research in Digital Storymaking at London Southbank University | |
April 10-22, 2017 | Helsinki UniArts Student Exchange, augmented poetics workshop and cross-institutional exchange, SAIC, Chicago | |
March 11, 2017 | New Poetics of Space, invited workshop for Performing, Writing, Massey University, Wellington, NZ | |
April 7 – 8, 2017 | ATOM-r workshop and guest critiques, Creative Practices Group, University of Michigan (invited) | |
October 8, 2016 | ATOM-r workshop: New Anatomies of Space, Light Box, Detroit (invited) | |
May 28 – June 18, 2016 | ATOM-r invited week-long workshop and artists' residency, University of Chichester, UK | |
May 16-20, 2016 | ATOM-r invited week-long workshop and artists' residency, University of Helsinki, Finland | |
January 2016 - January 2017 | ATOM-r invited residency at International Museum of Surgical Science, Chicago | |
September 2013 - January 2016 | ATOM-r invited residency at National Museum of Health and Medicine, Chicago | |
April 5-9, 2013 | ATOM-r workshop and artists' residency, York St. John University, York, UK | |
October 17-22, 2013 | ATOM-r workshop and artists' residency, King's College, London, UK | |
October 24-25, 2013 | ATOM-r workshop, University of Sussex, Brighton, UK | |
Oct. 22 - Nov. 1, 2012 | Artist-in-residence, Edinburgh College of Art | |
October 22-24, 2012 | Artists' workshop, Royal Conservatoire of Scotland, Glasgow | |
August – December 2012 | Virtual Writer-in-Residence, LIT Magazine | |
February 13-16, 2012 | workshop, Arizona State University | |
December 18 – January 4, 2011 | Rehearsal residency at Defibrillator Gallery, Chicago | |
November 10-11, 2011 | Visiting Artist, Northwestern University, Department of Art, Theory & Practice | |
June 13-16, 2011 | workshop and residency, Visiting Artist, Choreographic Lab, University of Nottingham, UK | |
October 22 – Nov. 10, 2010 | Online Residency at TextofTheDay conceptual blog | |
February 2 - December 18, 2010 | Artist-in-Residence, Hyde Park Art Center, Chicago | |
February 2-April 2, 2010 | Catwalk Art Residency, Catskill, NY | |
December 7-10, 2009 | Visiting Artist, CU Boulder Department of English and Creative Writing | |
August 10-25, 2009 | Catwalk Art Residency, Catskill, NY | |
July 21-30, 2009 | Visiting Artist, Azusa Pacific University | |
June 7-21, 2009 | Visiting Artist, Dartington College of Arts, Performance Writing MA program, UK | |
May 15-20, 2009 | Visiting Artist, Firehouse 13, Providence, RI | |
August 14-30, 2007 | In-residence with Goat Island at Museum of Contemporary Art Theater, Chicago | |
June 11-22, 2007 | In-residence with Goat Island at Teatre &TD, Zagreb, Croatia | |
January 8-26, 2007 | In-residence with Goat Island at Alfred ve Dvore Theater, Prague | |
June 19 - Jul 3, 2006 | Catwalk Art Residency, Catskill, NY | |
May 20-24, 2006 | Visiting Artist, Brown University, Literary Arts Program, Providence, RI | |
August 16 - September 1, 2005 | Catwalk Art Residency, Catskill, NY | |
December 24 - January 7 | Roger Brown Residency, New Buffalo, MI, US | |
June 2002 | Writer in Residence, CrudeOils.us | |
November 8-10, 2002 | Visiting Artist, University of Buffalo, English Department, Buffalo, NY |
Curatorial & Organzing | ||
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November 3 - 4, 2017 | Queering Ritual, York St John University, York, UK | |
March - June, 2014 | Code157: Electronic Literature Reading Series, Bergen Bibliotek, Bergen, Norway | |
April 13, 2013 | The Book that Was to Come, readings, The Poetry Center, Chicago Cultural Center | |
February 1 – March 23, 2011 | The Simulationists: Mixed Reality Performance, co-curated with Claudia Hart & Mark Jeffery, exhibition at Betty Rymer Gallery with performances and symposium at SAIC | |
December 5-6, 2009 | Streamflow Conditions + TIMESTAMP: Live Writing, curated for Subito Press, Boulder, Co | |
June 24-28, 2009 | Fault Tactical Network co-curated with Mark Jeffery in conjunction with the Performance Studies International Conference, Zagreb, Croatia. Performances by Claudia Hart, cris cheek, Jerome Fletcher and the two curators | |
February 4-25, 2007 | OPENPORT 2007: International Festival of Performance, Sound, & Language co-curated with Nathan Butler, Mark Jeffery & Lori Talley, performances at Links Hall and a symposium at SAIC, Chicago |
Review Committees & Advisory Boards | ||
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2021 | Invited external tenure review for Joel Swanson, Atlas Center at CU Boulder | |
2020 | Invited external tenure review for Liss LaFleur, University of North Texas Department of Studio Art | |
2020 | Invited Juror for Illinois Arts Council Fellowship Program in Interdisciplinary/Computer-Based Arts | |
2017 | Invited to organize the arts program for the Electronic Literature Organization (ELO) Conference & Festival 2019 in Chicago | |
2017 | Invited peer review editor for the journal Humanities special issue, "The Poetics of Computation" | |
2017 | Invited to co-organize the next iteration of the Performing, Writing sympoisum in Chicago with colleagues Mark Jeffery, Lin Hixson, and Matthew Goulish | |
2017 | Artistic Review Committee, Electronic Literature Organization (ELO) Arts Program 2017, Porto, Portugal | |
2017 | Peer Review Committee, Performing, Writing: A Symposium in Four Turns, Wellington, New Zealand | |
2017 | Artistic Review Committee, ISEA: International Symposium of Electronic Arts, Manizales, Colombia | |
2016, 2015, 2014 | Fulbright Application Reviewer, Career + Professional Experience Center, SAIC | |
2016 | Low-Residency MFA Search Committee, SAIC | |
2015-16 | Liberal Arts Science Search Committee, SAIC | |
2015-16 | Artistic Review Committee, ISEA: International Symposium of Electronic Arts, Hong Kong | |
2015 | Artistic Review Committee, ELO 2015: The Ends of Electronic Literature, Bergen, Norway | |
2014 | Faculty Adviser and Juror, New Blood VIII Festival, Department of Exhibitions and Exhibition | |
2011-ongoing | Electronic Literature Organization, Literary Advisory Board | |
2010 | Grant Reviewer, Creative Capital / Andy Warhol Foundation Arts Writers Grant | |
2010, 2011 | Grant Reviewer, Community Arts Assistance Program (CAAP grant, City of Chicago | |
2008-2010 | Proposal Reviewer, Links Hall Artistic Associates Program, Chicago |
Visiting Artist in Classrooms | ||
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April 2021 | Digital Poetry Rutgers-Camden University, New Jersey, professor: Claire Donato | |
February 2016 | The Tablet in The Cave, SAIC Art & Technology Studies, Chicago, professor: Abraham Avnisan | |
April 2015 | Graduate Critique Seminar, SAIC Art & Technology Studies, Chicago, professor: Heather Dewey-Hagborg | |
February 2015 | Bodies & Technologies, SAIC Sculpture department, Chicago, professor: Matthew Morris | |
August 2013 | Collaborative Creativity in New Media, University of Bergen, Norway, professor: Scott Rettberg | |
September 2010 | Text off the Page, SAIC Writing Program, professor: Ellen Rothenberg | |
October 2010 | Albums, Records, and Logbooks, SAIC Writing department, professor: Sally Alatalo | |
May 2010 | Poetry Of and Off the Page, University of Chicago, professor: Jennifer Scappettone | |
October 2008 | Wired Writing, SAIC Art and Technology Studies Program, professor: Tiffany Holmes | |
September 2008 | New Media Studies, University of Bergen, Norway, professor: Scott Rettberg | |
October 2007 | Documentation now & then: other versions, SAIC Performance dept., professor: Fiona Wright | |
October 2007 | Electronic Writing, Brown University, professor: Brian Kim Stefans |
Selected Bibliography |
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Electronic Literature as Digital Humanities, Dene Grigar & James O'Sullivan eds. Bloomsbury, January 2021 | |
Electronic Literature, Scott Rettberg, Polity Press, January 2019 | |
Enumerations: Data and Literary Study, Andrew Piper, University of Chicago Press, August 2018 | |
The Bloomsbury Handbook of Electronic Literature, Joseph Tabbi, Bloomsbury, November 2017 | |
Aesthetic Animism: Digital Poetry's Ontological Implications, David Jhave Johnston, MIT Press, June 2016 | |
Killing the Moonlight: Modernism in Venice, Jennifer Scappettone, Columbia University Press, November 2014 | |
Reading Writing Interfaces: From Digital to the Bookbound, Lori Emerson, University of Minnesota Press, June 2014 | |
Digital Modernism: Making it New in New Media, Jessica Pressman, Oxford University Press, January 2014 | |
Comparative textual Media, N Katherine Hayles and Jessica Pressman, eds. University of Minnesota Press. December 1, 2013 | |
Between Page and Screen: Remaking Literature Through Cinema and Cyberspace, ed. Kiene Brillenburg Wurth, Fordhum University Press, October 2012 | |
Book Was There: Reading in Electronic Times, Andrew Piper, University of Chicago Press, October 2012 | |
Beyond The Screen: Transformations of Literary Structures, Interfaces and Genres, Jörgen Schäfer, Transcript-Verlag, 2010 | |
Electronic Literature: New Horizons for the Literary, N. Katherine Hayles, University of Notre Dame Press, 2008 | |
Reading Networked Fiction, David Ciccoricco, University of Alabama Press, 2007
|
Interview/Documentary | Covid E-Lit: Digital Artists During the Pandemic, DARIAH-EU research project "Electronic Literature and COVID-19: A documentary", Realeased March 2022 |
Interview | Text as Texture: Judd Morrissey and Abraham Avnisan Interviewed by Theadora Walsh, BOMB Magazine, February 2019 |
Review | The MAC’s visually rich ‘Cosmic to Corporeal’ explores sexuality, identity, The Dallas Morning News, November 2019 |
Review | ‘Kjell Theøry’ brings together Alan Turing, the prophet Tiresias, and 40,049 newborn babies , Chicago Reader, February 2017 |
Interview/Documentary | Kultura: Czech Television Feature on ATOM-r, November 2017 |
Essay | Vispo: First Encounters Part 7, Singular Coldfront Magazine, Jeff T. Johnson, February 2016 |
Essay | Sensing Exigence: A Rhetoric for Smart Objects, Computational Culture: A Journal of Software Studies, Elizabeth Losh, January 2016 |
Review | Sarah FitzSimons outlines a traditional American house with Chicago lakefront installation, Dezeen Magazine, October 2015 |
Essay | Photos of Gender, Identity and Prosthetics, Vice Magazine, Elizabeth Renstrom, September 2015 |
Review | E-Poetry: pasado y presente de la poesía, Clarín, Diego Erlan, June 2015 |
Review | ATOM-r Creates a Frankenstein Monster, Chicago Tribune, Laura Molzahn, March 2014 |
Review | On the Contemporary: Instant Nostalgia, SFMOMA OPEN SPACE, Francesca Lisette, December 2013 |
Interview | Interview: Judd Morrissey and Mark Jeffery, Artwrit, Anthony Romero, July 2012 |
Essay | Mobilizing the Poli: theprecession.org and Languages of the Internet Populace, Laura Goldstein, jacket2, July 21, 2011 |
Review | Summer Solstice Performance in the Streets of Lincoln, BBC News, June 22, 2011 |
Review | Technology Infuses New Dance Performances, National Public Radio / WBEZ, Lucio Mauro, March 3, 2011 |
Review | Artists of Digitised Life Take to the Stage, Kerry Reid, New Scientist, February 22, 2011 |
Review | Celestial Bodies in the City: The corporeal and virtual worlds of Mark Jeffery and Judd Morrissey, Chicago Art Magazine, Marissa Perel, January 2011 |
Review | Performative Reading: Attending The Last Performance [dot org], Scott Rettberg, Dichtung Digital, #40, 2010 |
Review | Relational Poetics: post_moot 2KX / poetry + performance, Barrett Watten, May 1, 2010 |
Review | The Last Performance [dot org], David Grubbs, TDR: The Drama Review, Volume 43,Number 2, Fall 2009 |
Essay | The Last Performance [dot org]: an impossible collaboration, Robert Wilsmore, Journal of Writing in Creative Practice, November 2009 |
Essay | Electronic Literature in Performance, Scott Rettberg, Drunken Boat #10, 2009 |
Essay | My Digital Dickinson, Lori Emerson, The Emily Dickinson Journal, issue 17.2, Fall 2008 |
Essay | Intermediation: The Pursuit of a Vision, N. Katherine Hayles, Journal: New Literary History, Volume 38, Number 1, Winter 2007 |
Essay | Letters That Matter : The Electronic Literature Collection, Vol. 1, John Zuern, Electronic Book Review, October 2007 |
Essay & Interview | Iowa Review: The Very Essence of Poetry: Judd Morrissey & Lori Talley’s My Name Is Captain, Captain. & Flying Blind: An Interview, Jessica Pressman, 2003 |
Review | Review of My Name Is Captain, Captain., by Lance Olson, Rain Taxi, 2002 |
Essay | Whither E-Literature: Automatic Writing, Keith Gessen, The New Republic, 2001 |
Review | Pushing Hypertext in New Directions Matthew Mirapaul, New York Times Arts@Large, 2000 |
Juror's Statement | Asci.org (Art and Science Collaborations) Digital2000, Jon Ippolito, 2000 |